------------------------------------------------------------- Lonnie Johnson is the primarily soloist, with Lang playing some beautiful backup and a couple of simple choruses. -------------------------5h7--------------------------------- ------------------------------------------------------------- ... chord progressions and scales suggestions to use, you will be making solo's in no time! Matt shows you how to use passing diminished chords on the bridge of “Honeysuckle Rose” and gives you examples of using diminished chords on three choruses of a blues in Bb. --5/7----7-------------3--3---3/5---5------------------------ This is the first installment in a three-part lesson on the classic guitar duet “Chicken à la Swing,” written by Dick McDonough and recorded in 1937 by McDonough and Carl Kress. Clichê 1 Not only … ------------------------------------------------------------- Clichê2 Clichê 9 ----2/9---9----8----9----5----------------------------------- -----13p10---10---------------------------------------------- I really appreciate you supporting all of this brand new content and channel! ... 8 Most Important Guitar Chords for Beginners Top 10 Best Electric Guitars s under … The early jazz guitar instrumental classic “Teasing the Frets” was written by Ralph Colicchio and first recorded by Nick Lucas in 1922. You’ll learn it in the key of Eb, where it’s often played, which means that you’ll use a lot of voicings with the melody on the second string instead of the first string. The beautiful ballad “Memories of You” was written in 1930 by pianist Eubie Blake and lyricist Andy Razaf. ------------------------------------------------------------- ------------------------------------------------------------- [B G Fm Ab F A Cm Am C D Bb] Chords for When the Gates Swing Open - The Soul Stirrers with capo transposer, play along with guitar, piano, ukulele & mandolin. ------------------------------------------------------------- Last updated on 11.22.2016 -------------------------------------------------------------, Learn how to play exactly like Dire Straits. He tells you how to quickly communicate a song’s form to fellow musicians and then walks you through the basic form of “Honeysuckle Rose,” playing rhythm and singing the melody. Matt starts by playing and singing it through so you get a sense of the overall harmonic content and melody. He finishes by giving you advice on picking technique. Roots of Jazz Rhythm Guitar, Part 7: Picking-Hand Feel. There are times when you’re playing with a band, especially if you’re playing an amplified archtop guitar, that the sound of full chords is too much. --5--5--5/7------7-----7-7--------------------7--5h7--------- ------------------------------------------------------------- ------------------------------------------------------------- Discover why we have the best backtracks! It’s in the key of Eb, but starts on the relative minor of Eb: C minor. ----------9----------9-----------9-----------9------------9-- In this lesson, you’ll learn Carl Kress’s guitar part to “Chicken à la Swing,” an accompaniment to Dick McDonough’s melody part, but not exactly a rhythm guitar part, as Kress plays bass lines and counter melodies as well as chords. ------------------------------------------------------------- In his arrangement, Matt plays the melody of the A part primarily on the third string, with voicings on the lower strings of the guitar, as opposed to most of the other chord melody arrangements you’ve learned so far, which have put the melody on the first string. One trick is just to play strings 2,3,4 (using the first finger for Bb and C). Check out the time feel - 4 beat - "chunk-Chunk-chunk-Chunk" - 4 even beats with a slight accent on two and four. Our passing chord will act as a dominant chord and will set up the IIm–V progression while adding chromatic movement to the bass line. In this lesson, Matt gives you some examples of the kinds of contrary motion phrases he uses inspired by early jazz guitarists and pianists. You’ve already learned the closed-voice triad voicings on the top three strings. … ------------------------------------------------------------- -------5----7----/9----/12------10\-------------------------- Clichê 14 --------------6------3--6--3/5--5---3--6--3/5--5------------- In this lesson, you’ll learn St. Cyr’s rhythm part and Johnson’s solo. In this lesson, you’ll learn some cycles of chords that can be used as intros, endings, and turnarounds between sections of a song. Lucas recorded it a number of times and always played it differently, so the version you’ll learn here includes Matt’s favorite passages from Lucas as well as some of his own ideas. ------------------------------------------------------------- --------------------5h7p5------------------------------------ With chord melody solos to popular swing melodies, advanced rhythm guitar techniques, and acoustic jazz picking techniques. MENU TOP TABS TOP LESSONS MUSIC GENRES INSTRUMENTS . ------------------------------------------------------------- Clichê 7 ------------------------------------------------------------- ------------------------------------------------------------- A freewheeling and virtuosic guitarist on both acoustic and electric guitar—in music both modern and old-fashioned—he credits the early jazz plectrists of the 1920s and ’30s with providing the foundation for his technique and musical direction. ---------------------------------12--------------10---------- Chord Melody Basics, Part 2: Harmonized Major Scales. Related for Sultans Of Swing chords. He talks about what inspired these lines and gives you a few one- and two-bar examples in a few different keys. --10-----------10-----------10-------------10---------------- -------------------------------------------------------------

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